為什么現(xiàn)在有很多大型銅鼎制作上面都有動(dòng)物頭圖案
為什么現(xiàn)在有很多大型銅鼎制作上面都有動(dòng)物頭圖案？其實(shí)自宋代以來，鑄銅鼎雕塑，這種紋飾稱為饕餮紋獸面紋又多見于鐫刻在青銅鼎上面。以鼻梁為中線，兩側(cè)作對(duì)稱排列，上端一道是角，角下有目，形象比較具體的獸面紋在目上還有眉，目的兩側(cè)有的有耳，多數(shù)獸面紋有曲張的爪，兩側(cè)有左右展開的體軀或獸尾，精工鑄銅鼎，少數(shù)簡(jiǎn)略形式的沒有獸的體部或尾部。
Why are there many large bronze tripods with animal heads on them? In fact, since the Song Dynasty, bronze tripod sculptures have been cast. This pattern is called Taotie pattern, and animal face pattern is often engraved on bronze tripods. With the bridge of the nose as the center line, the two sides are arranged symmetrically. The upper end is a corner, and there are eyes under the corner. There are specific animal facial patterns, and eyebrows on the eyes. Some on both sides of the goal have ears, most animal facial patterns have curved claws, and there are left and right unfolded bodies or animal tails on both sides. The precision cast copper Ding has few simple forms without animal bodies or tails.
獸面紋是動(dòng)物的頭部正視圖案，也是動(dòng)物紋構(gòu)圖原始的一種形式。在商周青銅器紋飾中，所占的數(shù)量大。所有獸面紋基本上是按這一模式塑造的，只是在表現(xiàn)方法和技巧上，隨著時(shí)代的發(fā)展而有所不同。鼎是我國(guó)青銅文化的代表。鼎在古代被視為立國(guó)重器，是國(guó)家的象征。鼎又是旌功記績(jī)的禮器。周代的國(guó)君或王公大臣在重大慶典或接受賞賜時(shí)都要鑄鼎，以旌表功績(jī)，記載盛況。
Animal face pattern is the front view pattern of animal head, and it is also an original form of animal pattern composition. In the Shang and Zhou dynasties, bronze ornaments accounted for a large number. The first mock exam is basically based on this pattern, but it is different from the development of the age in the way and method of expression. Tripod is the representative of bronze culture in China. In ancient times, tripod was regarded as an important tool for building a country and a symbol of the country. The tripod is also a ritual instrument for recording achievements. Kings or princes and ministers of the Zhou Dynasty should cast tripods to show their achievements and record the grand occasion during major celebrations or receiving rewards.
鼎被賦予神圣的色彩，起源于禹鑄九鼎的傳說。鼎本來是古代的烹飪之器，相當(dāng)于現(xiàn)在的鍋，用以燉煮和盛放魚肉。許慎在《說文解字》里說：“鼎，三足兩耳，和五味之寶器也。”有三足圓鼎，也有四足方鼎。早的鼎是黏土燒制的陶鼎，后來又有了用青銅鑄的銅鼎。
The tripod was endowed with sacred color, which originated from the legend of Yu casting nine tripods. The tripod was originally an ancient cooking utensil, equivalent to the current pot, used to stew and hold fish. Xu Shen said in Shuowen Jiezi: "tripod, three feet and two ears, and the treasure of five flavors." There are three legged round tripod and four legged square tripod. The early tripod was a clay fired pottery tripod, and later a bronze tripod was made of bronze.
傳說夏禹曾收九牧之金鑄九鼎于荊山之下，以象征九州，并在上面鐫刻的圖形，讓人們警惕，防止被其傷害。自從有了禹鑄九鼎的傳說，鼎就從一般的炊器而發(fā)展為傳國(guó)重器。歷商至周，都把定都或建立王朝，國(guó)滅則鼎遷。
It is said that Xia Yu once received the gold of Jiumu and cast Jiuding under Jingshan mountain to symbolize Jiuzhou. The graphics engraved on it make people alert and prevent them from being hurt. Since the legend of Yu casting the nine tripods, the tripod has developed from a common cooker to a national important tool. From Shang Dynasty to Zhou Dynasty, the capital was established or a dynasty was established. When the country was destroyed, the tripod was moved.
